Coco Chanel Jewelry
Coco Chanel Jewelry Revolutionized The Way Women Looked-Forever
Chanel had a rare ability to crystallize around her name and her work an aura of myth , and it persists to this day. Coco Chanel was the couturiere extraordinare for the most of the twentieth century. Attractive, ambitious, and a genius for self inventions, she became one of the first couturiers to be celebrated as much for her glamorous persona as for her impeccable designs. Raised in an orphanage and virtually self-taught, Chanel, starting from a small shop, quickly built a major fashion house with branches in Paris, Deauville, Biarritz, and London.

Coco Chanel Vintage Gripoix Necklace
"Few women do not know how to wear jewelry," Chanel once said.
She herself was always abundantly adored with jewels and she considered them to be as necessary to seduction as perfume. Chanel had fabulous jewelry given to her by the Duke of Westminster and by Indian princes, but she admired them alone, preferring to go out with jewelry of her own design. There were two pieces of jewelry that she always wore: a topaz ring given to her when she was sixteen as a talisman by on old women, and a fine pearl necklace given to her by Arthur Capel as proof of his love.
Chanel Earrings

Chanel Bracelet
She drew on a variety of exotic, Oriental, and Egyptian sources. The discovery of the intact tomb of Tutankhamun with its fabulous trove took place in 1922. Her preference went to the Reneissance jewels of the Medici, a time when most artists were trained in precious metalwork, and to the sumptuous gems of Byzantium, which led her to ask once, "Why is it that everything i do becomes Byzantine?" She visited the famous treasure in Munich, the richest collection of jewels in Europe, and saw the sparkling mosaics of Ravenna which show the Empress Theodora standing in glory wearing a gold crown adorned with strings of pearls. We know from written sources that the rich citizens of Constantinople sometimes went out wearing gilt-bronze imitations of the real jewels with gold, pearls, diamonds and enamel that they left at home for safe keeping.

Chanel Necklace
For Chanel, sparkling diamonds expressed her love for the stars and comets and the lights of the Champs-Elysees. The necklaces glitter on the decollete created with moire ribbons; and diadems, crescent-and star-shaped brooches, ribbons, and fringes sparkle in the hair. The faces of the elegant visitors are reflected in the display cases with indirect lighting that protected the fabulous collection. These gems cut in their natural state, with hidden mounts and clasps, were based on three motifs-knots, stars, and feathers-and could be separated and transformed; for example, a necklace can be changed into three bracelets and a hat brooch. It was not the jewels themselves that were modern, hinting as they did of the past; it was the way Chanel wore them. When Chanel staged her comeback in 1954 , she offered, in addition to tweed suits, all the sorts of accessories she herself wore every day. Unlike other designers for whom accessories completed a silhouette or furthered a decorative effect, Chanel made individual pieces that were exercises in devising the single perfect item, be it a flower, a hair bow, or a shoe. She did not show a batch of new pieces every season; instead, from time to time she added a new item to her working vocabulary. Chanel jewelry of the 1950's and 1960's, produced by Gripoix and by a new collaborator, goldsmith Robert Grossens, included copies of pieces she had been seen wearing for decades. After Chanel's death in 1971, her house lumbered along acquiring a genteel patina. When Karl Lagerfeld signed on as a creative director in 1983, he not only changed the House of Chanel, he changed all of fashion. The Lagerfeld-for-Chanel high-wire act is most dazzling when it pits the classic against hip, adding another dimension to a story already abounding in paradox. Under Lagerfeld's direction the reach of Chanel has extended even further, becoming the latest logo coveted and worshiped by teenagers and hip-hop celebrities alike.How To Identify Authentic Chanel Jewelry
Many Chanel costume jewelry pieces will have markings. Understanding these markings is an important aspect for authentication and will also reveal when the item was made and its history. Pieces from 1921-1939 were made to complement Chanel's clothing. As a result, these extremely rare pieces were left unmarked, some pieces are marked only with "France" stamp. In 1939, due to WWII, The House of Chanel stopped operations.


After Coco Chanel's death, jewelry stamping changed. Some jewelry was also stamped with a copyright, trademark, interlocking CC and made in France stamp.



