





Hedy Martinelli Ruby Flower Gold Brooch
Rare 1970's H. Martinelli 18K yellow gold brooch/pin, ceramic green flower with rubies. Hand-crafted in Italy. Approximate Diameter: 3.9" About the Designer Hedy Martinelli's jewelry can be characterized by avant-garde and originality. Hedy Martinelli's Art Decò boutique was opened in 1975 in the heart of Rome. Jewelry was a long family tradition that was passed down on the Martinelli's female side. Starting with Hedy's maternal grandmother, forerunner in a series of strong, independent women, and carried on by Hedy, who has turned this passion into something very innovative and special. With her creativity and imagination, Hedy Martinelli creates jewels in accordance with international trends, always trying to fulfill the wishes of modern, strong, and determined women, who are committed to their careers and want to wear unique pieces. Women of great charm and elegance come to Rome from all over the world because they want to wear jewels by Hedy Martinelli. All of Hedy Martinelli's jewels are unique pieces, completely handmade and exclusive. In her innovative creations, she employs unconventional materials such as steel or iron, and often combines them with precious stones and gemstones.
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The DSF Promise
Buy with confidence. Every piece is backed by:
• Authenticity — examined and verified before listing
• Condition — carefully inspected and honestly described
• Insured shipping — fully insured, signature required
• 32-day returns — available on eligible, unaltered items
• Private appointments — available in New York
• Experience — over 50 years of fine jewelry expertise
How do I know a piece is authentic, and can I trust DSF?
Buying fine jewelry online takes trust, especially at this level. DSF Antique Jewelry is a New York–based dealer with over 50 years of fine jewelry expertise. Every piece is examined for authenticity and condition before it is listed — we assess hallmarks, maker's marks, metal content, gemstones, and construction consistent with the stated period or designer. For signed pieces such as Cartier, Buccellati, or Van Cleef & Arpels, we verify maker's marks and signatures. We're glad to send additional photographs of any hallmark, or speak with you directly, before you decide.
Why does antique gold look different, and is surface wear normal?
Antique pieces were often made in gold standards less common today, such as 15ct (used in Britain only between 1854 and 1932), 9ct, or higher-karat continental gold, which give a warmer tone than typical modern 14k. Light surface wear, softened edges, and a gentle patina are normal and expected on antique jewelry — they reflect the age and authenticity of the piece, not flaws. We describe the true condition of every item honestly in its listing.
What do the hallmarks and maker's marks mean?
Hallmarks are small stamped marks that identify the metal standard, and often the maker, assay office, and date. They are one of the best tools for authenticating antique jewelry. We identify and explain the marks we find on each piece in its description, and we're happy to send close-up photographs of any hallmark on request so you can see exactly what you're buying.
Can pieces be resized or adjusted?
It depends on the piece. Many antique rings can be resized, but bands with all-around engraving, thin shanks, or gemstones near the base may be limited in how far they can safely go, and some pieces are best left as-is to preserve their integrity. We list each item's measurements as they currently are. If you're unsure whether something can be safely adjusted, contact us before buying and we'll give you an honest assessment for that specific piece.
How should I care for and store fine jewelry?
Clean gently with a soft cloth, avoid harsh chemicals, ultrasonic cleaners, and chlorine, and store pieces separately so they don't scratch one another. Remove rings and bracelets for heavy manual tasks. Antique gold is softer than modern alloys, so period pieces are best enjoyed with normal care. Treated well, fine antique jewelry lasts for generations — many of our pieces are already a century or more old and still beautiful.
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