


Pair of Antique Imperial Russian Egor Samoshin Silver-Gilt Cloisonné Enamel Goblets
Moscow 84-Zolotnik Silver Stemmed Cups with Polychrome Cloisonné Enamel
A striking pair of antique Imperial Russian silver-gilt goblets attributed to Moscow silversmith Egor Samoshin, dating to the early 20th century.
Each stemmed cup is richly decorated in the cloisonné enamel technique, with intricate floral and foliate scrollwork outlined by fine silver wires. The elaborate design combines shades of turquoise, cobalt blue, pale blue, green, yellow, pink, white and red against a dark stippled ground.
Geometric enamel borders encircle the upper rims, tapered stems and circular bases, creating a richly layered design from top to bottom. The interiors and exposed silver surfaces are finished in warm gilding.
The pieces bear the maker’s Cyrillic “ЕС” mark, visually resembling the Latin letters “EC,” together with the Russian 84-zolotnik silver standard, equivalent to approximately .875 silver. The accompanying Kokoshnik assay mark indicates Moscow production during the late Imperial Russian period.
Measuring approximately 4 inches high, these finely crafted goblets would have been suitable as small wine, cordial or liqueur cups. Their paired form, elaborate enamel decoration and recognized maker make them particularly appealing to collectors of Russian silver, cloisonné enamel and decorative objects.
Details
• Maker: Egor Samoshin
• Origin: Moscow, Imperial Russia
• Period: Early 20th century, circa 1908–1917
• Material: Silver-gilt
• Silver standard: 84 zolotnik, approximately .875 silver
• Decoration: Polychrome cloisonné enamel
• Hallmarks: Cyrillic “ЕС” maker’s mark, 84 silver standard and Moscow assay mark
• Height: Approximately 4 inches each
• Top diameter: Approximately 2 inches each
• Form: Stemmed cordial, liqueur or small wine goblets
• Quantity: Pair
Collector’s Note
Pairs of Imperial Russian cloisonné enamel goblets are less frequently encountered than individual beakers and small cups. The extensive enamel decoration covering the bowls, stems and bases gives these examples a strong visual presence, while the maker’s mark and Moscow silver standard add historical and collector interest.
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Why does antique gold look different, and is surface wear normal?
Antique pieces were often made in gold standards less common today, such as 15ct (used in Britain only between 1854 and 1932), 9ct, or higher-karat continental gold, which give a warmer tone than typical modern 14k. Light surface wear, softened edges, and a gentle patina are normal and expected on antique jewelry — they reflect the age and authenticity of the piece, not flaws. We describe the true condition of every item honestly in its listing.
What do the hallmarks and maker's marks mean?
Hallmarks are small stamped marks that identify the metal standard, and often the maker, assay office, and date. They are one of the best tools for authenticating antique jewelry. We identify and explain the marks we find on each piece in its description, and we're happy to send close-up photographs of any hallmark on request so you can see exactly what you're buying.
Can pieces be resized or adjusted?
It depends on the piece. Many antique rings can be resized, but bands with all-around engraving, thin shanks, or gemstones near the base may be limited in how far they can safely go, and some pieces are best left as-is to preserve their integrity. We list each item's measurements as they currently are. If you're unsure whether something can be safely adjusted, contact us before buying and we'll give you an honest assessment for that specific piece.
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Clean gently with a soft cloth, avoid harsh chemicals, ultrasonic cleaners, and chlorine, and store pieces separately so they don't scratch one another. Remove rings and bracelets for heavy manual tasks. Antique gold is softer than modern alloys, so period pieces are best enjoyed with normal care. Treated well, fine antique jewelry lasts for generations — many of our pieces are already a century or more old and still beautiful.
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